- Inside EFILM
- Location Services
- Digital Intermediate
- Filmography
- Spotlights
- Sep 30, 2012 - Andrew Francis Discusses His Work on "Looper"
- Mar 31, 2012 - Mitch Paulson on the Creative Challenges of "John Carter"
- Jan 31, 2012 - EFILM Develops ARRIRAW Workflow for "Extremely Loud and Incredibly Close"
- Dec 31, 2011 - Natasha Leonnet on "Young Adult"
- Nov 19, 2012 - Russell Carpenter Photo Exhibition
- Jun 26, 2013 - EFILM Leads the way in Imaging Science
- Jan 16, 2014 - Cinematographer Dean Semler, ASC, ACS Utilizes Company's Extensive Post Offerings for Grudge Match
- Feb 3, 2016 - EFilm's The Big Short Garners Multiple Award Nominations and Wins
- Apr 18, 2016 - EFilm's Weyron Henriques garners StudioDaily's top 50
- Aug 12, 2016 - EFILM Employs New VFX Workflow on Star Trek Beyond
- Nov 7, 2016 - Joachim "JZ" Zell Inducted into ASC
- Nov 7, 2016 - Al Cleland Takes the Helm at EFILM
- Sep 8, 2016 - EFILM Proudly Supports All of Our Filmmakers at the Toronto International Film Festival
- Jan 12, 2017 - Dave Grove Promoted to SVP, Global Feature Sales
- Jan 13, 2017 - EFILM's Mitch Paulson Reteams with Jeff Nichols for Loving
- Jan 26, 2017 - EFILM’s Natasha Leonnet Colors Best Picture-Nominated La La Land and Hidden Figures
- Jan 31, 2017 - EFILM Colors Sundance Films, Celebrates Indie Filmmaking
- Feb 23, 2017 - EFILM Colors Rogue One: A Star Wars Story
- Mar 9, 2017 - EFILM Handles Color, Dailies for Multiple Oscar Winner, La La Land
- Apr 10, 2017 - NATASHA LEONNET HIGHLIGHTS HIDDEN FIGURES
- Mar 17, 2017 - DELUXE'S EFILM HOSTS ASC MASTER CLASS EVENT
- Jun 16, 2017 - Filmmakers Finish Project Involve Shorts at EFilm, Company 3
- Jun 30, 2017 - EFILM'sMitch Paulson Looks at All Eyez
- Aug 23, 2017 - Water Colors
- Sep 8, 2017 - Into the Shadows: Color on “It”
- Sep 8, 2017 - EFilm at TIFF
- Sep 20, 2017 - EFilm’s Tim Stipan Colors Provocative mother! at Company 3
- Sep 27, 2017 - Congrats to Our Artists on Their HPA Nominations
- Oct 2, 2017 - Scaling the Color Challenges of The Mountain Between Us
- Oct 25, 2017 - Joachim Zell Joins Cinematographers to Teach Filmmaking Master Class in Dubai
- Nov 1, 2017 - Film Independent launches “Detail Oriented” with Mitch Paulson Q/A
- Nov 20, 2017 - EFILM Hosts Sundance Institute with Rockin’ Party
- Dec 21, 2017 - EFILM Delivers a World of Color for Blue Sky’s ‘Ferdinand’
- Jan 9, 2018 - EFILM Colors Features, Documentaries, Shorts and Short-Form Series Eps for Sundance
- Jan 23, 2018 - EFILM Congratulates Oscar Nominated Clients and Colleagues
- Mar 5, 2018 - Congratulations, Roger Deakins On Your Oscar Win!
- Apr 4, 2018 - Skip Kimball Joins EFILM as Senior Colorist
- May 4, 2018 - EFILM Senior Colorist Natasha Leonnet Continues Longstanding Collaboration with Acclaimed Director Jason Reitman on New Comedy from Focus Features, Tully.
- Apr 14, 2018 - EFILM SUPPORTS YOUNG FILMMAKERS IN COCA-COLA AND REGAL FILMS PROGRAM
- May 29, 2018 - Cinematic Chaos: EFILM’s Skip Kimball Takes on Fox’s “Deadpool 2”
- Jun 1, 2018 - EFILM helps bring 80s sci-fi look to BH Tilt thriller Upgrade
- Jun 4, 2018 - EFILM heads to Skywalker Ranch for Solo: A Star Wars Story
- Jun 20, 2018 - EFILM and Encore saddle up for epic modern-Western series Yellowstone
- Jul 2, 2018 - EFilm Hosts Student Filmmakers from the Sundance Ignite Program
- Jul 13, 2018 - Encore, EFILM and Deluxe Toronto Congratulate Talented Production Teams on 2018 Emmy Nominations
- Aug 27, 2018 - Deluxe Congratulates TIFF 2018 Filmmakers
- Aug 29, 2018 - EFILM Senior Colorist Mitch Paulson Infuses Historical Authenticity for Operation Finale
- Sep 21, 2018 - EFILM Senior Colorist Mitch Paulson Helps Director Eli Roth Scare Up Family-Friendly Frights in ‘The House with a Clock in Its Walls’
- Sep 25, 2018 - EFILM CELEBRATES 2018 FILM INDEPENDENT PROJECT INVOLVE FELLOWS
- Oct 11, 2018 - Deluxe Unveils State-of-the-Art Color Grading Environment in Hollywood
- Oct 17, 2018 - EFILM RE-TEAMS WITH OSCAR®-WINNING DIRECTOR DAMIEN CHAZELLE FOR UNIVERSAL PICTURES’ FIRST MAN
- Nov 28, 2018 - EFILM Steps Into The Ring For 'Creed II'
- Dec 3, 2018 - EFILM Embarks on an Adventure in Whoville for Illumination’s “The Grinch”
- Dec 10, 2018 - Senior Colorist Walter Volpatto Joins EFILM
- Dec 14, 2018 - EFILM’s NATASHA LEONNET HELPED PROVIDE COLOR FINISH TO SONY PICTURES’ SPIDER-MAN™: INTO THE SPIDER-VERSE
- Dec 18, 2018 - DELUXE POST-PRODUCTION ELEVATES CHRIS HOLT TO EVP GLOBAL OPERATIONS AND HIRES MARK SMIRNOFF AS EVP SALES
- Jan 4, 2019 - EFILM’s TOM REISER HELPS DELIVER DIFFERENT LOOKS FOR EACH ROOM IN COLUMBIA PICTURES’ ESCAPE ROOM
- Jan 16, 2019 - Deluxe’s EFILM and Coca-Cola Regal Films Support Independent and Emerging Filmmakers at Sundance 2019
- Feb 14, 2019 - EFILM’s SKIP KIMBALL HELPS REALIZE THE VISUALLY COMPLEX WORLD OF FOX’S ‘ALITA: BATTLE ANGEL’
- Apr 9, 2019 - EFILM’s MITCH PAULSON DRAWS OUT DETAILS FROM THE SHADOWS FOR ‘PET SEMATARY’
- May 9, 2019 - EFILM Welcomes Senior Colorist Tony Dustin
- May 24, 2019 - Efilm’s Skip Kimball Accentuates Noir Vibes For ‘Pokémon: Detective Pikachu’
- May 28, 2019 - EFILM’S MITCH PAULSON COLORS SUPERHERO HORROR FILM ‘BRIGHTBURN’
- Jun 7, 2019 - EFILM's Mitch Paulson Re-Teams With Ava Duvernay For Netflix’s “When They See Us”
- Jun 12, 2019 - EFILM Colorist Jason Hanel Reteams with Illumination for ‘The Secret Life of Pets 2’
- Jun 13, 2019 - EFILM SUPPORTS FILMMAKER BOB TALBOT’S BEING DOLPHIN 4D
- Jul 18, 2019 - EFILM’s Skip Kimball Brings New Vibrancy to Netflix’s “Stranger Things 3”
- Aug 15, 2019 - Deluxe at TIFF 2019
- Aug 23, 2019 - EFILM’s Natasha Leonnet Keeps Colors Vibrant in “The Angry Birds Movie 2”
- Sep 13, 2019 - EFILM’s Walter Volpatto Enhances Bold Filmic Look for ‘Hustlers’
- Sep 19, 2019 - “It Chapter Two” Post Services Handled by Deluxe
- Sep 20, 2019 - Deluxe Explores New Frontiers with James Gray’s “Ad Astra”
- Oct 1, 2019 - Congrats to the 2019 HPA Award Nominees from EFILM, Deluxe Toronto, and Encore VFX
- Oct 11, 2019 - EFILM’s Mitch Paulson Joins “The Addams Family”
- Oct 16, 2019 - EFILM Celebrates Film Independent's 2019 Project Involve Fellows
- Nov 4, 2019 - EFILM’s Tony Dustin Re-Teams with Cinematographer John Toll, ASC, on “Harriet”
- Nov 8, 2019 - EFILM’s Jason Hanel Brings Lively Color to “Green Eggs and Ham”
- Nov 12, 2019 - EFILM Senior Colorist Walter Volpatto Enhances Historical Heft of “Midway”
- Nov 15, 2019 - EFILM’s Skip Kimball Infuses Vivid “Ford v Ferrari” Look in Subtle Nostalgia
- Nov 22, 2019 - EFILM’s Natasha Leonnet Honored with 2019 HPA Award for Outstanding Color Grading on “Spider-Man: Into the Spider-Verse”
- Nov 25, 2019 - Deluxe New York’s Sam Daley Brings Colorful Contrast to “A Beautiful Day in the Neighborhood”
- Nov 27, 2019 - EFILM’s Natasha Leonnet Brings Suspenseful Color to Facebook Watch Series “Limetown”
- Dec 12, 2019 - Deluxe at Sundance 2020
- Dec 13, 2019 - EFILM’s Mitch Paulson Ventures Beyond the Jungle in “Jumanji: The Next Level”
- Dec 25, 2019 - EFILM’s Natasha Leonnet Colors Blue Sky Studios’ “Spies In Disguise”
- Jan 23, 2020 - Deluxe Creative and Technical Artistry Recognized with 2020 AIS Lumiere Awards
- Feb 14, 2020 - EFILM’s Tom Reiser Helps Dole Out the Eye Candy for “Sonic the Hedgehog”
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