Apr 4, 2018
Skip Kimball Joins EFILM as Senior Colorist
Skip Kimball joins the EFILM family following nearly six years at Technicolor, where he brought his amazing talent and extensive career as a final colorist to a great many feature films and television projects, including Netflix's extremely popular series, "Stranger Things" (season 1 and 2). Previously, Kimball, who loves to move seamlessly between series, feature and short form work, applied his talent at Modern VideoFIlm, where, over his 15-year tenure he colored a truly enormous amount of series, pilots and major films, including the industry-shaking "Avatar" for James Cameron. Self-taught in the art and technology of color grading, the Studio City native started his career at Anderson Video, where he worked his way up from an entry-level position to a major colorist. Over the course of his storied career, Skip has worked with the industry's top directors and cinematographers and served as colorist on a myriad of accalimed and hit projects such as "Gone Baby Gone", "Nebraska", "The Fault in Our Stars", "Night at the Museum 3", "Trumbo", "Logan", "Downsizing", among others.
Instagram: @Skip_Kimball
SPOTLIGHTS ARCHIVE
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NOV 27, 2019 - EFILM’s Natasha Leonnet Brings Suspenseful Color to Facebook Watch Series “Limetown”
VIEW ARTICLENOV 25, 2019 - Deluxe New York’s Sam Daley Brings Colorful Contrast to “A Beautiful Day in the Neighborhood”
VIEW ARTICLENOV 22, 2019 - EFILM’s Natasha Leonnet Honored with 2019 HPA Award for Outstanding Color Grading on “Spider-Man: Into the Spider-Verse”
VIEW ARTICLENOV 15, 2019 - EFILM’s Skip Kimball Infuses Vivid “Ford v Ferrari” Look in Subtle Nostalgia
VIEW ARTICLENOV 12, 2019 - EFILM Senior Colorist Walter Volpatto Enhances Historical Heft of “Midway”
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NOV 8, 2019 - EFILM’s Jason Hanel Brings Lively Color to “Green Eggs and Ham”
VIEW ARTICLENOV 4, 2019 - EFILM’s Tony Dustin Re-Teams with Cinematographer John Toll, ASC, on “Harriet”
VIEW ARTICLEOCT 16, 2019 - EFILM Celebrates Film Independent's 2019 Project Involve Fellows
VIEW ARTICLEOCT 11, 2019 - EFILM’s Mitch Paulson Joins “The Addams Family”
VIEW ARTICLEOCT 1, 2019 - Congrats to the 2019 HPA Award Nominees from EFILM, Deluxe Toronto, and Encore VFX
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SEP 20, 2019 - Deluxe Explores New Frontiers with James Gray’s “Ad Astra”
VIEW ARTICLESEP 19, 2019 - “It Chapter Two” Post Services Handled by Deluxe
VIEW ARTICLESEP 13, 2019 - EFILM’s Walter Volpatto Enhances Bold Filmic Look for ‘Hustlers’
VIEW ARTICLEAUG 23, 2019 - EFILM’s Natasha Leonnet Keeps Colors Vibrant in “The Angry Birds Movie 2”
VIEW ARTICLEAUG 15, 2019 - Deluxe at TIFF 2019
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JUL 18, 2019 - EFILM’s Skip Kimball Brings New Vibrancy to Netflix’s “Stranger Things 3”
VIEW ARTICLEJUN 13, 2019 - EFILM SUPPORTS FILMMAKER BOB TALBOT’S BEING DOLPHIN 4D
VIEW ARTICLEJUN 12, 2019 - EFILM Colorist Jason Hanel Reteams with Illumination for ‘The Secret Life of Pets 2’
VIEW ARTICLEJUN 7, 2019 - EFILM's Mitch Paulson Re-Teams With Ava Duvernay For Netflix’s “When They See Us”
VIEW ARTICLEMAY 28, 2019 - EFILM’S MITCH PAULSON COLORS SUPERHERO HORROR FILM ‘BRIGHTBURN’
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MAY 24, 2019 - Efilm’s Skip Kimball Accentuates Noir Vibes For ‘Pokémon: Detective Pikachu’
VIEW ARTICLEMAY 9, 2019 - EFILM Welcomes Senior Colorist Tony Dustin
VIEW ARTICLEAPR 9, 2019 - EFILM’s MITCH PAULSON DRAWS OUT DETAILS FROM THE SHADOWS FOR ‘PET SEMATARY’
VIEW ARTICLEFEB 14, 2019 - EFILM’s SKIP KIMBALL HELPS REALIZE THE VISUALLY COMPLEX WORLD OF FOX’S ‘ALITA: BATTLE ANGEL’
VIEW ARTICLEJAN 16, 2019 - Deluxe’s EFILM and Coca-Cola Regal Films Support Independent and Emerging Filmmakers at Sundance 2019
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JAN 4, 2019 - EFILM’s TOM REISER HELPS DELIVER DIFFERENT LOOKS FOR EACH ROOM IN COLUMBIA PICTURES’ ESCAPE ROOM
VIEW ARTICLEDEC 18, 2018 - DELUXE POST-PRODUCTION ELEVATES CHRIS HOLT TO EVP GLOBAL OPERATIONS AND HIRES MARK SMIRNOFF AS EVP SALES
VIEW ARTICLEDEC 14, 2018 - EFILM’s NATASHA LEONNET HELPED PROVIDE COLOR FINISH TO SONY PICTURES’ SPIDER-MAN™: INTO THE SPIDER-VERSE
VIEW ARTICLEDEC 10, 2018 - Senior Colorist Walter Volpatto Joins EFILM
VIEW ARTICLEDEC 3, 2018 - EFILM Embarks on an Adventure in Whoville for Illumination’s “The Grinch”
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