Aug 23, 2017
Water Colors
It started with an idea in actress Kristen Stewart's mind. The image was of a man sleeping at the bottom of the ocean and she explored it through poetry and painting and then, last year, in her directorial debut, the 17-minute short, "Come Swim." The film, produced by David Shapiro, brought in cinematographer John Gulesarian ("Friends from College," "Casual") to contribute his cinematic aesthetic to the material, which seems at first glance like everyday kinds of scenes – an office workspace, the living area in a house, a beach – but comes together into an artistic vision. It was shown in the 70th Anniversary Events section of the 2017 Cannes Film Festival and was also screened to enthusiastic audiences at the 2017 Sundance Film Festival.
EFilm Colorist Natasha Leonnet was delighted to work on such an unusual film. Once a student of non-traditional cinema at Brown University, Leonnet has always been interested in what some might call experimental filmmaking. Of "Come Swim," she says, "It presents a new way of seeing things. It was a very interesting project that took me back to my schooling when we studied filmmakers who were not creating linear stories."
Stewart, she recalls, though directing for the first time, "had definite ideas about how everything should look. I did a pass interpreting the images and then the filmmakers presented their ideas and that's how we found the final look. It was very important to Kristen and John that nothing look like we did color correction. It couldn't feel at all like anything had been digitally manipulated.
"I really like that the film breaks rules and defies the expectations of narrative filmmaking," Leonnet sums up.
SPOTLIGHTS ARCHIVE
-
OCT 11, 2019 - EFILM’s Mitch Paulson Joins “The Addams Family”
VIEW ARTICLEOCT 1, 2019 - Congrats to the 2019 HPA Award Nominees from EFILM, Deluxe Toronto, and Encore VFX
VIEW ARTICLESEP 20, 2019 - Deluxe Explores New Frontiers with James Gray’s “Ad Astra”
VIEW ARTICLESEP 19, 2019 - “It Chapter Two” Post Services Handled by Deluxe
VIEW ARTICLESEP 13, 2019 - EFILM’s Walter Volpatto Enhances Bold Filmic Look for ‘Hustlers’
VIEW ARTICLE -
AUG 23, 2019 - EFILM’s Natasha Leonnet Keeps Colors Vibrant in “The Angry Birds Movie 2”
VIEW ARTICLEAUG 15, 2019 - Deluxe at TIFF 2019
VIEW ARTICLEJUL 18, 2019 - EFILM’s Skip Kimball Brings New Vibrancy to Netflix’s “Stranger Things 3”
VIEW ARTICLEJUN 13, 2019 - EFILM SUPPORTS FILMMAKER BOB TALBOT’S BEING DOLPHIN 4D
VIEW ARTICLEJUN 12, 2019 - EFILM Colorist Jason Hanel Reteams with Illumination for ‘The Secret Life of Pets 2’
VIEW ARTICLE -
JUN 7, 2019 - EFILM's Mitch Paulson Re-Teams With Ava Duvernay For Netflix’s “When They See Us”
VIEW ARTICLEMAY 28, 2019 - EFILM’S MITCH PAULSON COLORS SUPERHERO HORROR FILM ‘BRIGHTBURN’
VIEW ARTICLEMAY 24, 2019 - Efilm’s Skip Kimball Accentuates Noir Vibes For ‘Pokémon: Detective Pikachu’
VIEW ARTICLEMAY 9, 2019 - EFILM Welcomes Senior Colorist Tony Dustin
VIEW ARTICLEAPR 9, 2019 - EFILM’s MITCH PAULSON DRAWS OUT DETAILS FROM THE SHADOWS FOR ‘PET SEMATARY’
VIEW ARTICLE -
FEB 14, 2019 - EFILM’s SKIP KIMBALL HELPS REALIZE THE VISUALLY COMPLEX WORLD OF FOX’S ‘ALITA: BATTLE ANGEL’
VIEW ARTICLEJAN 16, 2019 - Deluxe’s EFILM and Coca-Cola Regal Films Support Independent and Emerging Filmmakers at Sundance 2019
VIEW ARTICLEJAN 4, 2019 - EFILM’s TOM REISER HELPS DELIVER DIFFERENT LOOKS FOR EACH ROOM IN COLUMBIA PICTURES’ ESCAPE ROOM
VIEW ARTICLEDEC 18, 2018 - DELUXE POST-PRODUCTION ELEVATES CHRIS HOLT TO EVP GLOBAL OPERATIONS AND HIRES MARK SMIRNOFF AS EVP SALES
VIEW ARTICLEDEC 14, 2018 - EFILM’s NATASHA LEONNET HELPED PROVIDE COLOR FINISH TO SONY PICTURES’ SPIDER-MAN™: INTO THE SPIDER-VERSE
VIEW ARTICLE -
DEC 10, 2018 - Senior Colorist Walter Volpatto Joins EFILM
VIEW ARTICLEDEC 3, 2018 - EFILM Embarks on an Adventure in Whoville for Illumination’s “The Grinch”
VIEW ARTICLENOV 28, 2018 - EFILM Steps Into The Ring For 'Creed II'
VIEW ARTICLEOCT 17, 2018 - EFILM RE-TEAMS WITH OSCAR®-WINNING DIRECTOR DAMIEN CHAZELLE FOR UNIVERSAL PICTURES’ FIRST MAN
VIEW ARTICLEOCT 11, 2018 - Deluxe Unveils State-of-the-Art Color Grading Environment in Hollywood
VIEW ARTICLE -
SEP 25, 2018 - EFILM CELEBRATES 2018 FILM INDEPENDENT PROJECT INVOLVE FELLOWS
VIEW ARTICLESEP 21, 2018 - EFILM Senior Colorist Mitch Paulson Helps Director Eli Roth Scare Up Family-Friendly Frights in ‘The House with a Clock in Its Walls’
VIEW ARTICLEAUG 29, 2018 - EFILM Senior Colorist Mitch Paulson Infuses Historical Authenticity for Operation Finale
VIEW ARTICLEAUG 27, 2018 - Deluxe Congratulates TIFF 2018 Filmmakers
VIEW ARTICLEJUL 13, 2018 - Encore, EFILM and Deluxe Toronto Congratulate Talented Production Teams on 2018 Emmy Nominations
VIEW ARTICLE