Aug 23, 2017
Water Colors
It started with an idea in actress Kristen Stewart's mind. The image was of a man sleeping at the bottom of the ocean and she explored it through poetry and painting and then, last year, in her directorial debut, the 17-minute short, "Come Swim." The film, produced by David Shapiro, brought in cinematographer John Gulesarian ("Friends from College," "Casual") to contribute his cinematic aesthetic to the material, which seems at first glance like everyday kinds of scenes – an office workspace, the living area in a house, a beach – but comes together into an artistic vision. It was shown in the 70th Anniversary Events section of the 2017 Cannes Film Festival and was also screened to enthusiastic audiences at the 2017 Sundance Film Festival.
EFilm Colorist Natasha Leonnet was delighted to work on such an unusual film. Once a student of non-traditional cinema at Brown University, Leonnet has always been interested in what some might call experimental filmmaking. Of "Come Swim," she says, "It presents a new way of seeing things. It was a very interesting project that took me back to my schooling when we studied filmmakers who were not creating linear stories."
Stewart, she recalls, though directing for the first time, "had definite ideas about how everything should look. I did a pass interpreting the images and then the filmmakers presented their ideas and that's how we found the final look. It was very important to Kristen and John that nothing look like we did color correction. It couldn't feel at all like anything had been digitally manipulated.
"I really like that the film breaks rules and defies the expectations of narrative filmmaking," Leonnet sums up.
SPOTLIGHTS ARCHIVE
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NOV 27, 2019 - EFILM’s Natasha Leonnet Brings Suspenseful Color to Facebook Watch Series “Limetown”
VIEW ARTICLENOV 25, 2019 - Deluxe New York’s Sam Daley Brings Colorful Contrast to “A Beautiful Day in the Neighborhood”
VIEW ARTICLENOV 22, 2019 - EFILM’s Natasha Leonnet Honored with 2019 HPA Award for Outstanding Color Grading on “Spider-Man: Into the Spider-Verse”
VIEW ARTICLENOV 15, 2019 - EFILM’s Skip Kimball Infuses Vivid “Ford v Ferrari” Look in Subtle Nostalgia
VIEW ARTICLENOV 12, 2019 - EFILM Senior Colorist Walter Volpatto Enhances Historical Heft of “Midway”
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NOV 8, 2019 - EFILM’s Jason Hanel Brings Lively Color to “Green Eggs and Ham”
VIEW ARTICLENOV 4, 2019 - EFILM’s Tony Dustin Re-Teams with Cinematographer John Toll, ASC, on “Harriet”
VIEW ARTICLEOCT 16, 2019 - EFILM Celebrates Film Independent's 2019 Project Involve Fellows
VIEW ARTICLEOCT 11, 2019 - EFILM’s Mitch Paulson Joins “The Addams Family”
VIEW ARTICLEOCT 1, 2019 - Congrats to the 2019 HPA Award Nominees from EFILM, Deluxe Toronto, and Encore VFX
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SEP 20, 2019 - Deluxe Explores New Frontiers with James Gray’s “Ad Astra”
VIEW ARTICLESEP 19, 2019 - “It Chapter Two” Post Services Handled by Deluxe
VIEW ARTICLESEP 13, 2019 - EFILM’s Walter Volpatto Enhances Bold Filmic Look for ‘Hustlers’
VIEW ARTICLEAUG 23, 2019 - EFILM’s Natasha Leonnet Keeps Colors Vibrant in “The Angry Birds Movie 2”
VIEW ARTICLEAUG 15, 2019 - Deluxe at TIFF 2019
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JUL 18, 2019 - EFILM’s Skip Kimball Brings New Vibrancy to Netflix’s “Stranger Things 3”
VIEW ARTICLEJUN 13, 2019 - EFILM SUPPORTS FILMMAKER BOB TALBOT’S BEING DOLPHIN 4D
VIEW ARTICLEJUN 12, 2019 - EFILM Colorist Jason Hanel Reteams with Illumination for ‘The Secret Life of Pets 2’
VIEW ARTICLEJUN 7, 2019 - EFILM's Mitch Paulson Re-Teams With Ava Duvernay For Netflix’s “When They See Us”
VIEW ARTICLEMAY 28, 2019 - EFILM’S MITCH PAULSON COLORS SUPERHERO HORROR FILM ‘BRIGHTBURN’
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MAY 24, 2019 - Efilm’s Skip Kimball Accentuates Noir Vibes For ‘Pokémon: Detective Pikachu’
VIEW ARTICLEMAY 9, 2019 - EFILM Welcomes Senior Colorist Tony Dustin
VIEW ARTICLEAPR 9, 2019 - EFILM’s MITCH PAULSON DRAWS OUT DETAILS FROM THE SHADOWS FOR ‘PET SEMATARY’
VIEW ARTICLEFEB 14, 2019 - EFILM’s SKIP KIMBALL HELPS REALIZE THE VISUALLY COMPLEX WORLD OF FOX’S ‘ALITA: BATTLE ANGEL’
VIEW ARTICLEJAN 16, 2019 - Deluxe’s EFILM and Coca-Cola Regal Films Support Independent and Emerging Filmmakers at Sundance 2019
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JAN 4, 2019 - EFILM’s TOM REISER HELPS DELIVER DIFFERENT LOOKS FOR EACH ROOM IN COLUMBIA PICTURES’ ESCAPE ROOM
VIEW ARTICLEDEC 18, 2018 - DELUXE POST-PRODUCTION ELEVATES CHRIS HOLT TO EVP GLOBAL OPERATIONS AND HIRES MARK SMIRNOFF AS EVP SALES
VIEW ARTICLEDEC 14, 2018 - EFILM’s NATASHA LEONNET HELPED PROVIDE COLOR FINISH TO SONY PICTURES’ SPIDER-MAN™: INTO THE SPIDER-VERSE
VIEW ARTICLEDEC 10, 2018 - Senior Colorist Walter Volpatto Joins EFILM
VIEW ARTICLEDEC 3, 2018 - EFILM Embarks on an Adventure in Whoville for Illumination’s “The Grinch”
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