Dec 31, 2011
Natasha Leonnet on "Young Adult"
Young Adult was the first film I have ever worked on where the filmmakers did not ask me to make digitally acquired material look like film. Both the director Jason Reitman and the cinematographer Eric Steelberg were extremely clear that they wanted a "quiet aesthetic" with a subdued color palette and contrast curve. They felt that the grading should not impart its own subjectivity onto the images, but instead treat the feature as a documentary recording of the protagonist Mavis' story. The only instance where I was asked to break this rule was in the bedroom scene at the end of the film. Jason wanted me to reproduce a color correction from a shot of her waking up at the beginning of the movie to make the two scenes match. He felt that this was important to close the arc of the story.One of my favorite shots from Young Adult is in this scene. Mavis stands defocused in the background, as she zips up her dress. It has a dreamlike quality and texture that reminds me of William Eggleston's photography.
SPOTLIGHTS ARCHIVE
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MAY 9, 2019 - EFILM Welcomes Senior Colorist Tony Dustin
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VIEW ARTICLEJAN 16, 2019 - Deluxe’s EFILM and Coca-Cola Regal Films Support Independent and Emerging Filmmakers at Sundance 2019
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DEC 18, 2018 - DELUXE POST-PRODUCTION ELEVATES CHRIS HOLT TO EVP GLOBAL OPERATIONS AND HIRES MARK SMIRNOFF AS EVP SALES
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VIEW ARTICLENOV 28, 2018 - EFILM Steps Into The Ring For 'Creed II'
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OCT 17, 2018 - EFILM RE-TEAMS WITH OSCAR®-WINNING DIRECTOR DAMIEN CHAZELLE FOR UNIVERSAL PICTURES’ FIRST MAN
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AUG 27, 2018 - Deluxe Congratulates TIFF 2018 Filmmakers
VIEW ARTICLEJUL 13, 2018 - Encore, EFILM and Deluxe Toronto Congratulate Talented Production Teams on 2018 Emmy Nominations
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JUN 1, 2018 - EFILM helps bring 80s sci-fi look to BH Tilt thriller Upgrade
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VIEW ARTICLEAPR 4, 2018 - Skip Kimball Joins EFILM as Senior Colorist
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