Dec 31, 2011
Natasha Leonnet on "Young Adult"
Young Adult was the first film I have ever worked on where the filmmakers did not ask me to make digitally acquired material look like film. Both the director Jason Reitman and the cinematographer Eric Steelberg were extremely clear that they wanted a "quiet aesthetic" with a subdued color palette and contrast curve. They felt that the grading should not impart its own subjectivity onto the images, but instead treat the feature as a documentary recording of the protagonist Mavis' story. The only instance where I was asked to break this rule was in the bedroom scene at the end of the film. Jason wanted me to reproduce a color correction from a shot of her waking up at the beginning of the movie to make the two scenes match. He felt that this was important to close the arc of the story.One of my favorite shots from Young Adult is in this scene. Mavis stands defocused in the background, as she zips up her dress. It has a dreamlike quality and texture that reminds me of William Eggleston's photography.
SPOTLIGHTS ARCHIVE
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FEB 14, 2019 - EFILM’s SKIP KIMBALL HELPS REALIZE THE VISUALLY COMPLEX WORLD OF FOX’S ‘ALITA: BATTLE ANGEL’
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DEC 10, 2018 - Senior Colorist Walter Volpatto Joins EFILM
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SEP 25, 2018 - EFILM CELEBRATES 2018 FILM INDEPENDENT PROJECT INVOLVE FELLOWS
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JUL 2, 2018 - EFilm Hosts Student Filmmakers from the Sundance Ignite Program
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MAY 4, 2018 - EFILM Senior Colorist Natasha Leonnet Continues Longstanding Collaboration with Acclaimed Director Jason Reitman on New Comedy from Focus Features, Tully.
VIEW ARTICLEAPR 14, 2018 - EFILM SUPPORTS YOUNG FILMMAKERS IN COCA-COLA AND REGAL FILMS PROGRAM
VIEW ARTICLEAPR 4, 2018 - Skip Kimball Joins EFILM as Senior Colorist
VIEW ARTICLEMAR 5, 2018 - Congratulations, Roger Deakins On Your Oscar Win!
VIEW ARTICLEJAN 23, 2018 - EFILM Congratulates Oscar Nominated Clients and Colleagues
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JAN 9, 2018 - EFILM Colors Features, Documentaries, Shorts and Short-Form Series Eps for Sundance
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