Dec 31, 2011
Natasha Leonnet on "Young Adult"
Young Adult was the first film I have ever worked on where the filmmakers did not ask me to make digitally acquired material look like film. Both the director Jason Reitman and the cinematographer Eric Steelberg were extremely clear that they wanted a "quiet aesthetic" with a subdued color palette and contrast curve. They felt that the grading should not impart its own subjectivity onto the images, but instead treat the feature as a documentary recording of the protagonist Mavis' story. The only instance where I was asked to break this rule was in the bedroom scene at the end of the film. Jason wanted me to reproduce a color correction from a shot of her waking up at the beginning of the movie to make the two scenes match. He felt that this was important to close the arc of the story.One of my favorite shots from Young Adult is in this scene. Mavis stands defocused in the background, as she zips up her dress. It has a dreamlike quality and texture that reminds me of William Eggleston's photography.
SPOTLIGHTS ARCHIVE
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NOV 27, 2019 - EFILM’s Natasha Leonnet Brings Suspenseful Color to Facebook Watch Series “Limetown”
VIEW ARTICLENOV 25, 2019 - Deluxe New York’s Sam Daley Brings Colorful Contrast to “A Beautiful Day in the Neighborhood”
VIEW ARTICLENOV 22, 2019 - EFILM’s Natasha Leonnet Honored with 2019 HPA Award for Outstanding Color Grading on “Spider-Man: Into the Spider-Verse”
VIEW ARTICLENOV 15, 2019 - EFILM’s Skip Kimball Infuses Vivid “Ford v Ferrari” Look in Subtle Nostalgia
VIEW ARTICLENOV 12, 2019 - EFILM Senior Colorist Walter Volpatto Enhances Historical Heft of “Midway”
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NOV 8, 2019 - EFILM’s Jason Hanel Brings Lively Color to “Green Eggs and Ham”
VIEW ARTICLENOV 4, 2019 - EFILM’s Tony Dustin Re-Teams with Cinematographer John Toll, ASC, on “Harriet”
VIEW ARTICLEOCT 16, 2019 - EFILM Celebrates Film Independent's 2019 Project Involve Fellows
VIEW ARTICLEOCT 11, 2019 - EFILM’s Mitch Paulson Joins “The Addams Family”
VIEW ARTICLEOCT 1, 2019 - Congrats to the 2019 HPA Award Nominees from EFILM, Deluxe Toronto, and Encore VFX
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SEP 20, 2019 - Deluxe Explores New Frontiers with James Gray’s “Ad Astra”
VIEW ARTICLESEP 19, 2019 - “It Chapter Two” Post Services Handled by Deluxe
VIEW ARTICLESEP 13, 2019 - EFILM’s Walter Volpatto Enhances Bold Filmic Look for ‘Hustlers’
VIEW ARTICLEAUG 23, 2019 - EFILM’s Natasha Leonnet Keeps Colors Vibrant in “The Angry Birds Movie 2”
VIEW ARTICLEAUG 15, 2019 - Deluxe at TIFF 2019
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JUL 18, 2019 - EFILM’s Skip Kimball Brings New Vibrancy to Netflix’s “Stranger Things 3”
VIEW ARTICLEJUN 13, 2019 - EFILM SUPPORTS FILMMAKER BOB TALBOT’S BEING DOLPHIN 4D
VIEW ARTICLEJUN 12, 2019 - EFILM Colorist Jason Hanel Reteams with Illumination for ‘The Secret Life of Pets 2’
VIEW ARTICLEJUN 7, 2019 - EFILM's Mitch Paulson Re-Teams With Ava Duvernay For Netflix’s “When They See Us”
VIEW ARTICLEMAY 28, 2019 - EFILM’S MITCH PAULSON COLORS SUPERHERO HORROR FILM ‘BRIGHTBURN’
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MAY 24, 2019 - Efilm’s Skip Kimball Accentuates Noir Vibes For ‘Pokémon: Detective Pikachu’
VIEW ARTICLEMAY 9, 2019 - EFILM Welcomes Senior Colorist Tony Dustin
VIEW ARTICLEAPR 9, 2019 - EFILM’s MITCH PAULSON DRAWS OUT DETAILS FROM THE SHADOWS FOR ‘PET SEMATARY’
VIEW ARTICLEFEB 14, 2019 - EFILM’s SKIP KIMBALL HELPS REALIZE THE VISUALLY COMPLEX WORLD OF FOX’S ‘ALITA: BATTLE ANGEL’
VIEW ARTICLEJAN 16, 2019 - Deluxe’s EFILM and Coca-Cola Regal Films Support Independent and Emerging Filmmakers at Sundance 2019
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JAN 4, 2019 - EFILM’s TOM REISER HELPS DELIVER DIFFERENT LOOKS FOR EACH ROOM IN COLUMBIA PICTURES’ ESCAPE ROOM
VIEW ARTICLEDEC 18, 2018 - DELUXE POST-PRODUCTION ELEVATES CHRIS HOLT TO EVP GLOBAL OPERATIONS AND HIRES MARK SMIRNOFF AS EVP SALES
VIEW ARTICLEDEC 14, 2018 - EFILM’s NATASHA LEONNET HELPED PROVIDE COLOR FINISH TO SONY PICTURES’ SPIDER-MAN™: INTO THE SPIDER-VERSE
VIEW ARTICLEDEC 10, 2018 - Senior Colorist Walter Volpatto Joins EFILM
VIEW ARTICLEDEC 3, 2018 - EFILM Embarks on an Adventure in Whoville for Illumination’s “The Grinch”
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