Dec 31, 2011
Natasha Leonnet on "Young Adult"
Young Adult was the first film I have ever worked on where the filmmakers did not ask me to make digitally acquired material look like film. Both the director Jason Reitman and the cinematographer Eric Steelberg were extremely clear that they wanted a "quiet aesthetic" with a subdued color palette and contrast curve. They felt that the grading should not impart its own subjectivity onto the images, but instead treat the feature as a documentary recording of the protagonist Mavis' story. The only instance where I was asked to break this rule was in the bedroom scene at the end of the film. Jason wanted me to reproduce a color correction from a shot of her waking up at the beginning of the movie to make the two scenes match. He felt that this was important to close the arc of the story.One of my favorite shots from Young Adult is in this scene. Mavis stands defocused in the background, as she zips up her dress. It has a dreamlike quality and texture that reminds me of William Eggleston's photography.
SPOTLIGHTS ARCHIVE
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JAN 23, 2020 - Deluxe Creative and Technical Artistry Recognized with 2020 AIS Lumiere Awards
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VIEW ARTICLEDEC 12, 2019 - Deluxe at Sundance 2020
VIEW ARTICLENOV 27, 2019 - EFILM’s Natasha Leonnet Brings Suspenseful Color to Facebook Watch Series “Limetown”
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NOV 25, 2019 - Deluxe New York’s Sam Daley Brings Colorful Contrast to “A Beautiful Day in the Neighborhood”
VIEW ARTICLENOV 22, 2019 - EFILM’s Natasha Leonnet Honored with 2019 HPA Award for Outstanding Color Grading on “Spider-Man: Into the Spider-Verse”
VIEW ARTICLENOV 15, 2019 - EFILM’s Skip Kimball Infuses Vivid “Ford v Ferrari” Look in Subtle Nostalgia
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SEP 19, 2019 - “It Chapter Two” Post Services Handled by Deluxe
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VIEW ARTICLEAUG 15, 2019 - Deluxe at TIFF 2019
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JUN 13, 2019 - EFILM SUPPORTS FILMMAKER BOB TALBOT’S BEING DOLPHIN 4D
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VIEW ARTICLEJUN 7, 2019 - EFILM's Mitch Paulson Re-Teams With Ava Duvernay For Netflix’s “When They See Us”
VIEW ARTICLEMAY 28, 2019 - EFILM’S MITCH PAULSON COLORS SUPERHERO HORROR FILM ‘BRIGHTBURN’
VIEW ARTICLEMAY 24, 2019 - Efilm’s Skip Kimball Accentuates Noir Vibes For ‘Pokémon: Detective Pikachu’
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MAY 9, 2019 - EFILM Welcomes Senior Colorist Tony Dustin
VIEW ARTICLEAPR 9, 2019 - EFILM’s MITCH PAULSON DRAWS OUT DETAILS FROM THE SHADOWS FOR ‘PET SEMATARY’
VIEW ARTICLEFEB 14, 2019 - EFILM’s SKIP KIMBALL HELPS REALIZE THE VISUALLY COMPLEX WORLD OF FOX’S ‘ALITA: BATTLE ANGEL’
VIEW ARTICLEJAN 16, 2019 - Deluxe’s EFILM and Coca-Cola Regal Films Support Independent and Emerging Filmmakers at Sundance 2019
VIEW ARTICLEJAN 4, 2019 - EFILM’s TOM REISER HELPS DELIVER DIFFERENT LOOKS FOR EACH ROOM IN COLUMBIA PICTURES’ ESCAPE ROOM
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