Dec 31, 2011
Natasha Leonnet on "Young Adult"
Young Adult was the first film I have ever worked on where the filmmakers did not ask me to make digitally acquired material look like film. Both the director Jason Reitman and the cinematographer Eric Steelberg were extremely clear that they wanted a "quiet aesthetic" with a subdued color palette and contrast curve. They felt that the grading should not impart its own subjectivity onto the images, but instead treat the feature as a documentary recording of the protagonist Mavis' story. The only instance where I was asked to break this rule was in the bedroom scene at the end of the film. Jason wanted me to reproduce a color correction from a shot of her waking up at the beginning of the movie to make the two scenes match. He felt that this was important to close the arc of the story.One of my favorite shots from Young Adult is in this scene. Mavis stands defocused in the background, as she zips up her dress. It has a dreamlike quality and texture that reminds me of William Eggleston's photography.
SPOTLIGHTS ARCHIVE
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APR 9, 2019 - EFILM’s MITCH PAULSON DRAWS OUT DETAILS FROM THE SHADOWS FOR ‘PET SEMATARY’
VIEW ARTICLEFEB 14, 2019 - EFILM’s SKIP KIMBALL HELPS REALIZE THE VISUALLY COMPLEX WORLD OF FOX’S ‘ALITA: BATTLE ANGEL’
VIEW ARTICLEJAN 16, 2019 - Deluxe’s EFILM and Coca-Cola Regal Films Support Independent and Emerging Filmmakers at Sundance 2019
VIEW ARTICLEJAN 4, 2019 - EFILM’s TOM REISER HELPS DELIVER DIFFERENT LOOKS FOR EACH ROOM IN COLUMBIA PICTURES’ ESCAPE ROOM
VIEW ARTICLEDEC 18, 2018 - DELUXE POST-PRODUCTION ELEVATES CHRIS HOLT TO EVP GLOBAL OPERATIONS AND HIRES MARK SMIRNOFF AS EVP SALES
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DEC 14, 2018 - EFILM’s NATASHA LEONNET HELPED PROVIDE COLOR FINISH TO SONY PICTURES’ SPIDER-MAN™: INTO THE SPIDER-VERSE
VIEW ARTICLEDEC 10, 2018 - Senior Colorist Walter Volpatto Joins EFILM
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VIEW ARTICLENOV 28, 2018 - EFILM Steps Into The Ring For 'Creed II'
VIEW ARTICLEOCT 17, 2018 - EFILM RE-TEAMS WITH OSCAR®-WINNING DIRECTOR DAMIEN CHAZELLE FOR UNIVERSAL PICTURES’ FIRST MAN
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OCT 11, 2018 - Deluxe Unveils State-of-the-Art Color Grading Environment in Hollywood
VIEW ARTICLESEP 25, 2018 - EFILM CELEBRATES 2018 FILM INDEPENDENT PROJECT INVOLVE FELLOWS
VIEW ARTICLESEP 21, 2018 - EFILM Senior Colorist Mitch Paulson Helps Director Eli Roth Scare Up Family-Friendly Frights in ‘The House with a Clock in Its Walls’
VIEW ARTICLEAUG 29, 2018 - EFILM Senior Colorist Mitch Paulson Infuses Historical Authenticity for Operation Finale
VIEW ARTICLEAUG 27, 2018 - Deluxe Congratulates TIFF 2018 Filmmakers
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JUL 13, 2018 - Encore, EFILM and Deluxe Toronto Congratulate Talented Production Teams on 2018 Emmy Nominations
VIEW ARTICLEJUL 2, 2018 - EFilm Hosts Student Filmmakers from the Sundance Ignite Program
VIEW ARTICLEJUN 20, 2018 - EFILM and Encore saddle up for epic modern-Western series Yellowstone
VIEW ARTICLEJUN 4, 2018 - EFILM heads to Skywalker Ranch for Solo: A Star Wars Story
VIEW ARTICLEJUN 1, 2018 - EFILM helps bring 80s sci-fi look to BH Tilt thriller Upgrade
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MAY 29, 2018 - Cinematic Chaos: EFILM’s Skip Kimball Takes on Fox’s “Deadpool 2”
VIEW ARTICLEMAY 4, 2018 - EFILM Senior Colorist Natasha Leonnet Continues Longstanding Collaboration with Acclaimed Director Jason Reitman on New Comedy from Focus Features, Tully.
VIEW ARTICLEAPR 14, 2018 - EFILM SUPPORTS YOUNG FILMMAKERS IN COCA-COLA AND REGAL FILMS PROGRAM
VIEW ARTICLEAPR 4, 2018 - Skip Kimball Joins EFILM as Senior Colorist
VIEW ARTICLEMAR 5, 2018 - Congratulations, Roger Deakins On Your Oscar Win!
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JAN 23, 2018 - EFILM Congratulates Oscar Nominated Clients and Colleagues
VIEW ARTICLEJAN 9, 2018 - EFILM Colors Features, Documentaries, Shorts and Short-Form Series Eps for Sundance
VIEW ARTICLEDEC 21, 2017 - EFILM Delivers a World of Color for Blue Sky’s ‘Ferdinand’
VIEW ARTICLENOV 20, 2017 - EFILM Hosts Sundance Institute with Rockin’ Party
VIEW ARTICLENOV 1, 2017 - Film Independent launches “Detail Oriented” with Mitch Paulson Q/A
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