|
|
|
 |
 |
|
 |
 |
 |
| |
| EFILM is key to the Code |
 |
The Sony Pictures Entertainment, blockbuster, "The DaVinci Code" challenged the EFILM digital workflow to deliver the largest rollout of any Digital Intermediate ever.
EFILM delivered!
EFILM VP, Kevin Dillon recalls, "The scope and scale of post -production services required was unprecedented and would have been virtually impossible without EFILM's recent breakthroughs in digital technology. We knew the sheer scale of this project would be a tall order. So we devised a game plan with our production group that included special focus from our operations/ engineering team. We're satisfied that we delivered as promised".
CEO Joe Matza adds, "D.P. Salvatore Totino, Director Ron Howard and Editor Dan Hanley were able to use the proprietary Eworks® color system to create a unique visual style for dramatic flashback scenes, without additional special visual effects. They were a pleasure to work with.".
Digital Cinema presentations were delivered as 4K, DCI compliant masters for projection on Sony 4K Digital Projectors.
EFILM, delivered 17 DI Masters at true 4K resolution. There were multiple dub and language versions for a simultaneous global release.
Our congratulations to Sony Pictures and James Honore for their forward thinking. We thank them for their confidence in EFILM.
|
|
 |
|
 |
 |
 |
 |
 |
|
|
|
|
|
|